Refreshing Films Finalists
by Emi Knape | published Sep. 17th, 2022
Imagine getting the once-in-a-lifetime opportunity to make a commercial for Coca-Cola that would get shown in movie theaters around the country. For second-year film production student Anna McClanahan and first-year grad student Gabriel Ponte-Fleary, this dream could become a reality. Imagine getting the once-in-a-lifetime opportunity to make a commercial for Coca-Cola that would get shown in movie theaters around the country. For second-year film production student Anna McClanahan and first-year grad student Gabriel Ponte-Fleary, this dream could become a reality. Imagine getting the once-in-a-lifetime opportunity to make a commercial for Coca-Cola that would get shown in movie theaters around the country. For second-year film production student Anna McClanahan and first-year grad student Gabriel Ponte-Fleary, this dream could become a reality. Imagine getting the once-in-a-lifetime opportunity to make a commercial for Coca-Cola that would get shown in movie theaters around the country. For second-year film production student Anna McClanahan and first-year grad student Gabriel Ponte-Fleary, this dream could become a reality.
By proposing a compelling love story between hearing and deaf characters, McClanahan and Ponte-Fleary have been selected as finalists for the Coca-Cola Refreshing Films contest.
“We had a very warm aesthetic we wanted to go for, something wholesome, nostalgic, and magical, and hair and makeup really helped with that.
Refreshing Films
According to the Coca-Cola website, “The Coca-Cola Refreshing Films program is a platform to provide students, from partnered schools, the opportunity to create content for the big screen.”
For over 20 years, 17 colleges have competed in this program. This year marks the first time RIT students have been given the opportunity to compete.
Not only is this the first year that RIT students will beincluded in the competition, but also the first time the Refreshing Films Program included in the competition, but also the first time the Refreshing Films Program will include the
The application process is an undertaking, but The application process is an undertaking, but that didn’t stop McClanahan and Ponte-Fleary from taking it head-on.
“There’s a script, and we work together to develop a first draft,” Ponte-Fleary explained. “We got help from two [School Of Film and An] faculty members, Jack Beck and Frank Deese, and went through the whole drafting iteration process.”
The students also had to create a budget sheet with a hypothetical had to create a budget sheet with a hypothetical limit of $18,000, and submit all application materials along with a physical application. McClanahan of $18,000, and submit all application materials along with a physical application. McClanahan discussed having to partner up with another student, where one student would act as the producer and the other student could fill any other role, typically the director.
“We got selected for semi-finals, which was 15 scripts out of 500,” McClanahan explained. “From there you add things like a storyboard, update your script, update your budget, have lots of meetings with [Coca-Cola], then you submit it; from there, there is one winner.”
Needless to say, there was a substantial amount of work put into this project. a substantial amount of work put into this project.
Balancing a Budget
Once selected as finalists, the students actually received the $18,000 budget to professionally produce their short film.
Does $18,000 sound like a lot of money? In the world of professional commercials, that budget is stretched thin. The cost of renting equipment, providing food, attire, hair/makeup, paying the actors, crew and interpreters adds up. As the producer of the film, Ponte-Fleary was in charge of the budget and distribution, as well as re-distribution as necessary
“It was a challenge,” Ponte-Fleary said, “$18,000 doesn’t go a long way and we had to re-analyze lots of times.”
Although the students were not able to receive financial help, other people were allowed to offer assistance.
Dr. Gerard Buckley, president of the National Technical Institute for the Deaf, generously covered the interpreting costs. Shanti Thakur, director of the School of Film and Animation (SOFA), helped make sure all of the project's pieces ran smoothly.
Other contributors were the College of Art and Design (CAD), who helped cover insurance for the equipment, and Sew-n-City, who helped with hair and makeup.
With all of this assistance, McClanahan and Ponte-Fleary were able to create the look and feel they had imagined.
“We had a very warm aesthetic we wanted to go for something wholesome, nostalgic and magical, and hair and makeup really helped with that“We had a very warm aesthetic we wanted to go for something wholesome, nostalgic and magical, and hair and makeup really helped with that“We had a very warm aesthetic we wanted to go for something wholesome, nostalgic and magical, and hair and makeup really helped with that, " McClanahan said.
Deaf Representation
A large part of the film was the inclusion of the
McClanahan explained the inspiration for the film coming from representing the type of community at RIT the inspiration for the film coming from representing the type of community at RIT, since this is the first year RIT is able to participate. The team made sure to incorporate this in all aspects of the film. Originally, the plot was centered around two characters: one hearing and one deaf, which could originally be interpreted as hanging out as friends. After meeting with the Coca-Cola company, they decided to make it a love story.
“I wanted to make sure I had deaf crew members because as a hearing person, it would be inauthentic not to have anyone on the set if I don’t understand that community,” McClanahan said. “Also working with Gabe and being able to add those elements to the character, being accurate with the language, mannerisms, and culture.”
Although there have been more deaf characters on the big screen in recent times – Echo in Hawkeye and Makari in Eternals, to name a few – this is the first time Coca-Cola would represent the deaf community, providing a monumental step towards the representation of more diversity within the film industry.
“Really it’s amazing,” Ponte-Fleary said. “I am very proud that we are able to do this because it is huge. [Coca-Cola] has never had the deaf community involved in anything on the big screen… I mean really we’re making history with it.”
Amazing Perspectives
This once-in-a-lifetime opportunity is just the start for McClanahan and Ponte-Fleary. The experience they have had so far is unmatched. From finding out they were chosen as semi-finalists, to watching their script come to life, the process has been unimaginable.
“It was an amazing feeling,” Ponte-Fleary “It was an amazing feeling,” Ponte-Fleary said. “You never know how far you are going to go.”
One thing McClanahan would like others to take away from the project is thatyou shouldn’t be afraid to branch out into other communities and cultures.
“When you bring different perspectives together, it creates really great films. It’s a great time to explore and learn about different people,” McClanahan said. “If you’re only creating things from your perspective, there are so many other communities that don’t get represented.”
McClanahan and Ponte-Fleary wanted to thank everyone that helped make their film possible. There was so much support inside and out, and they could never be more thankful.
The Coca-Cola Refreshing Films challenge is all about empowering the filmmakers of the next generation. By being the first students to not only represent RIT but also the deaf community in their film, McClanahan and Ponte-Fleary are undoubtedly empowering generations to come.
"The vision was to make sure it was all of our dreams, not just the two of us. Big thanks to everyone involved," Ponte-Fleary said.
“It was an amazing feeling. You never know how far you are going to go.”
